1/

Maritime Museum Saint-Malo

St. Malo, France

2017

[+]

In a privileged location, facing the historical city of Saint-Malo, the Museum of Maritime History is located as an urban landmark that reactivates its new neighborhood. Our project for the Museum proposes to preserve the main aspect of its location and its special atmosphere: an industrial, maritime, Malouine atmosphere, which makes it possible to keep the memory of the place intact and intensify it. Two complementary elements build the project, a plinth and an emerging volume. Together, they create an ensemble capable of giving importance to this enclave, creating a simple and strong gesture at the same time. Thanks to its geometry, it makes an expressive and changing piece of architecture and is also able to transform with light, to be ambiguous and enigmatic thanks to its mineral coating and its faceted surfaces.

 

International restricted competition. First Prize ex-aequo

1/

A Sentimental Monumentality II

Chicago Architecture Biennial

2017

[+]

The Chicago Architecture Biennial, entitled Make New History, aims to explore the respective intersections of history and modernity, art and architecture. Barozzi Veiga was invited to express their vision of the future skyscraper. The installation is a contemporary exploration of the 1922 Chicago Tribune Tower competition. The proposal for the Chicago Tribune Tower aspires to establish an intersection between different periods of time, techniques and visions of the specific place. It is a piece of architecture that is simultaneously specific and autonomous, capable of preserving and reviving the richness of Chicago’s tradition and history. Inspired by the terra cotta style, the project is a pure cuboid form, which is characterized by a static structural geometric grid that in its turn becomes a dynamic continuous ornament. From this intention rises a simple, pure building which proposes continuity and transformation of the tradition that has marked the identity of Chicago.

1/

Guerrieri Rizzardi Guest House

Bardolino, Italy

2017-2018

[+]

 

As a complement to the winery’s activity, the Guerrieri Rizzardi family wanted to add – in an olive grove with splendid views and sunsets over Lago di Garda – a small guest house and a space for wine tasting for guests who wanted to extend the visit to the winery. Taking advantage of the slight slope towards the lake and the views, the project defines a single elongated volume, inserted in the terrain following the existing terracing and the grid that orders the planting of the olive trees. It is a podium with a large roof supported only by large triangular concrete pillars. The podium defines a new relationship between the house, the olive grove and the lake. Between the concrete structure, two simple glazed volumes totally open to the landscape contain the apartments and the wine tasting space. A tunnel will connect the guest house with the nearby winery.

1/

Concert Hall Munich

Munich, Germany

2017

[+]

The new Munich Concert Hall is conceived as a new urban landmark and represents the opportunity to turn a cultural building into a unique place to stay and meet within the so-called Werkviertel and the city of Munich. The clear geometric design allows the building to naturally fit into its nearer urban environment: a building that takes advantage of the maximum permitted height of 26m, while keeping a wide free area free on the ground floor. The concert hall conveys a timeless, strong and unfathomable presence through the means of design used, which establishes an independent relationship with the environment. In the balance between the monumentality of its proportions and the simplicity of its lines, together with the expressiveness of the facade lies the peculiarity of the new building.

 

International restricted competition. Finalist

1/

Concert Hall Edinburgh

Edinburgh, United Kingdom

2017

[+]

Located in the heart of Edinburgh’s World Heritage Site and landlocked among historical buildings the project defines the end of the new town axis. The project is the home of the Scottish Chamber Orchestra, and will host the Edinburgh International Festival, reason why it will have exceptional acoustics together with the capacity to adapt to all types of performances. It seeks to create a Concert Hall that is not only a place for music but also becomes a public and cultural space for the city. The approach seeks to release the maximum public space as possible, reducing the footprint of the building and developing part of the program vertically. This creates a public, social and dynamic realm, transforming the existing center of the block from a hitherto unknown space into an intimate public square for the city of Edinburgh.

 

International restricted competition. Finalist

1/

Artist Ateliers London

London, United Kingdom

2017-2018

[+]

The London Design District in the Greenwich Peninsula is a new one-hectare neighbourhood of 16 buildings that will provide a permanent base for creative businesses to trade, interact and grow. Eight emerging architectural practices selected across Europe have been given a pair of buildings to design independently and ‘blind’ from each other, creating a provocative diversity of colour and form. The two buildings are simple and elegant volumes that seek to have an adequate proportion with their surroundings. They are characterized by large openings in the façade which allow being ambiguous with their scale, and link the buildings with the industrial past. The buildings nuance their appearance and their implantation through the metallic surfaces of the facades and their brightness. Sober buildings but at the same time conscious of the character of the Design District.

 

Private Commission

1/

Gymnasium and Student Residence Paris

Paris, France

2017

[+]

The project appears as a natural response to its specific condition, an element on a viaduct, and from the understanding that its main objective is to complete the urban fabric. The project is configured as a simple and expressive volume that works as a ​​transition element between the south façade towards the city, and the north façade towards the periphery. On its southern side, the volume is staggered to establish a suitable scale with the surroundings and allow its garden terraces to characterize the whole. Towards the north, the building staggers slightly to open its main uses towards the periphery, showing itself as a light element resting on the viaduct. This dichotomy, allows to respond in a coherent way to each side, and at the same time find a common language with the student residence building.

 

International restricted competition. Second Prize

1/

Housing Barcelona

Badalona, Spain

2016-2018

[+]

The project is located in Badalona, ​​in the metropolitan area of ​​Barcelona close to the sea. It consists of two buildings, which house a total of 38 homes, and complete the pre-existing block delimiting a shared garden. The central garden is the unifying element of the project, which offers light and tranquility to the homes and reinforces the community bonds of its inhabitants. Both buildings are made up of open galleries that run along the entire façade, with curtains on the exterior plane, which provide flexibility for the interior spaces and allow the boundaries of the house to be extended. The orderly disorder that responds to the inhabitants will keep the façade alive. The type of housing is formed with a single large, flexible space, with the possibility of dividing it in two or three, so that users can configure and customize the living space to suit their needs.

 

Restricted Competition. First Prize

1/

Guerrieri Rizzardi Wine Cellar and Museum

Bardolino, Italy

2016-2018

[+]

The Counts Guerrieri Rizzardi – a wine and oil producing family – want to build the extension of their current winery, a museum, a small auditorium, a point of sale and a restaurant. The site is close to Lago di Garda in a semi-rural area surrounded by olive tree groves and vineyards. Rather than building an object, the project proposes the construction of a small village – a borgo – a set of small buildings contained by a perimeter wall that forms a private, intimate world. The winery and bottle conservation area make up a podium that regularizes the steep slope of the site. On this artificial podium the pavilions containing the rest of the program are located. Towards the outside, the project reveals as a simple perimeter wall perfectly integrated into the semi-rural landscape. Once inside, you discover an interior garden, a silent world where vegetation, water and the pavilions are mixed up and create a new scenery.

 

Private commission

1/

BLF Headquarters

Beirut, Lebanon

2016

[+]

The new headquarters for BLF Bank is a project that integrates into its design the spatial organization of a complex and specific plan for its function as a bank, but which can be opened to the public and let the new headquarters to be integrated within the social and cultural life of the Mar Mikhael district. The purpose of combining both public and private allocations to its operations lets us fundamentally organize the project through two clearly differentiated volumes: the tower and the plinth. Two features that create optimal balance between the different uses and its spatial requirements, synthesizing two essential objectives into the project, the bank’s significance and representativeness in the tower, and the building’s urban continuity and integration due to the plinth.


International competition. Finalist

1/

A Sentimental Monumentality I

Biennale Architettura Venezia

2016

[+]

The installation is conceived as a project-manifesto, a way of expressing an architecture in a state of equilibrium between the specificity of a place and the autonomy of the form. It establishes a sentimental connection with the reality of a place through a specific and perceptive relationship with the surroundings, in this case with the Corderie building. At the same time,through a primitive, Povera approach it seeks to transcend the time and the physical place in which it has come into being and achieve autonomy and independence in its own right. It is on the opposition between monument and sentiment that our work and the meaning of the installation lie: in the pursuit of an architecture that is specific and autonomous, intimate and monumental, which aspires to belong to a place and at the same time to belong to all places.

 

Barozzi / Veiga invited to Biennale Architettura 2016 curated by Alejandro Aravena

1/

Montelungo and Colleoni Barracks Renewal

Bergamo, Italy

2015 - 2020

[+]

The ring perimeter of the Montelungo and Colleoni barracks has been shaped by architectural additions and it is the identifying element of this urban area. The project preserves the characteristics of this urban settlement and defines the creation of a new urban park as a new public space. At the same time, the project transforms the built limit in order to make it permeable and to adapt it to the new public and private functions that it will host. Some existing buildings will be replaced by new ones maintaining the perimeter of the ring and creating a new permeability towards the public parks and reorganizing the façades and their relations with the outside.


International competition. First Prize. Ongoing

1/

H. C. Andersen Museum

Odense, Denmark

2015

[+]

Surrounded by a garden, the four proposed volumes sensibly arrange to form a microcosm: a place where architecture and landscape merge as one. The scale, proportion and views between the different elements allow for a changing perception, helping to reduce the sense of the city. The composition invites the visitor to guess the importance and differences between each of the elements. Each of the four forms has their own identity and a different function; yet not one of them can be understood without the other three, or without the garden. The four elements, simple and abstract, are surrounded by a garden that symbolizes the strength and complexity of the world of Andersen. They intend to awaken the imagination of the visitor, inviting a discovery of the unexpected.


International competition. Finalist

1/

Crematorium

Thun, Switzerland

2015

[+]

Two simple square plan volumes are inserted in the expansion of the cemetery pursuing a balance with the existing by its position and size. Thereupon the new crematorium, the larger part, approaches the Strättlingendtrasse to define a new public access to the cemetery while the service building, the smaller part, takes a secondary position to set back and approach the southern boundary of the plot. The extension of the existing frame and the incorporation of these new buildings insists on the landscape features of the cemetery. The clear and concise implementation of the crematorium incorporates in its formalization the nuances of solemnity and kindness that the program and the character of this architecture require.


International competition. Third Prize

1/

L’Artesà Theater

El Prat de Llobregat, Spain

2015

[+]

The proposal isolates the building and allows to have gardens on both sides of the theater, enriching the relationship between the theater public spaces and its close environment. The reduced volume permits to have a better relation with the context, to minimize the underground construction and to reduce the costs. The side access through the existing façade and the axiality of the plan are faithful to the original project of the theater. However, the new proposal foyer is open to the gardens. The horseshoe-shaped hall preserves the intimacy and shortens the distance between the audience and the stage allowing a more functional space. A series of arches enriches the addition of abstract volumes. The arches pierce the volume both to relate interior and exterior spaces and to integrate the scale of the elements.


I
nternational competition. Finalist

1/

Natural History Museum and State Archives

Basel, Switzerland

2015

[+]

Located within the Volta district, the new building for the Natural History Museum of Basel and the State Archives of Basel-Stadt is a new urban landmark and represents the opportunity to convert a cultural building into a meeting place. Three clear geometric structures identify the new building in the neighborhood and allow it to naturally integrate itself into its immediate urban environment: a longitudinal element exploits the maximum permitted height of 18 m, redefining the limits of the path, creating a small public space in front of the museum; a vertical structure, with a total height of 40 m, is perceived as a new monument within the city; and a wide entrance hall renews Vogesenplatz, the existing square in front of the building.


International competition. Fifth Prize

1/

Solo House

Cretas, Spain

2014 -

[+]

Down from the main road, a path leads through the woods to an entrance pavilion. Once inside, a little Acropolis appears upon the top of a mountain ridge. A tender breeze blows, there is a feeling of intimacy and protection. Just a few simple volumes. In between, visible but distant, the rough landscape. A continuous plinth, elevated, is extending horizontally in between the trees on the sloping ground. Inside the pavilions, with reflections of water, of fire, the brightness of the sky, the hidden shadows. The light of the evening penetrates inside the high spaces, creating a shelter. One can feel the fresh breeze passing through the patio. When night falls, downstairs and well-protected, we enter the private spaces of the rooms.


Private commission

1/

Tanzhaus Zurich

Zürich, Switzerland

2014 - 2018

[+]

The project’s aspiration is to reequip the urban area of the promenade along the Limmat river, maintaining and intensifying the setting’s industrial atmosphere. A simple and compact volume, tiered towards the river, turns the proposal into a topographical element, publicly accessible at all of its levels. Its shape enables the proposal to provide activity to the walk and to define a new urban front facing the river. Through these simple mechanisms the project transforms a currently underused site into a central public space along the course of the river. 


International competition. First Prize. Ongoing

1/

Office Building for the Deutsche Bundestag

Berlin, Germany

2013

[+]

The proposal aims to complete the existing building, both its interior and its exterior, while also maintaining its character and identity. The design not only refurbishes, restores and adds new elements, but also finishes the building, enabling its completion. The floor plans speak of the search for clarity throughout the scheme; the original internal logic of the building is recovered, organized around the two central patios. This is why the plan is completed with a new volume that manifests itself through the new façades towards Mittelstrasse and Dorotheenstrasse. These elevations express their belonging to the historic building’s extensions while they also acquire their own formal identity.


International competition. Shortlisted

1/

Cultural Center

Stockholm, Sweden

2013

[+]

The project arises from its setting and from the need to define a new public space. The new building is placed to the West of the site in order to liberate the most public surface area possible, as well as for it to be seen and recognizable from a distance. The building’s polyedric and faceted volume is delineated by the boundaries of the plot, by the scale of the surrounding buildings and by the preservation of the area’s main axial views. Its setting also enables the conservation of both the area’s main features and the existing infrastructures. Along with the building itself, the other element that characterizes the square, to the East, is the existing stone.


International competition. Shortlisted

1/

Student Center

London, United Kingdom

2012

[+]

The main goal of the proposal is to define, architecturally, the identity of the campus and fill it with meaning through a center of gravity that allows the connection of all of its buildings. A central element placed within the square that defines the campus and shapes the new entrance, helps understand King’s College as a whole, bestowing the institution with the representative presence it needs.


International competition. Finalist

1/

Music School Bruneck

Brunico, Italy

2012 - 2017

[+]

The project proposes an alternative way of inserting the new building in order to preserve the urban specificity of Brunico’s historic quarter and the importance of the historic Casa Ragen. As a result of these considerations, the proposal consists in creating a new constructed perimeter surrounding a garden. By doing this, the design allows us to carry out two essential tasks: the first, to create continuity with the existing urban tissue by completing its layout, analogously following the uninterrupted sequence of noble villas and their adjacent open spaces that makes up such a distinctive townscape; the second, to keep and enhance the urban presence of the Casa Ragen in its surroundings by understanding the extension as an element that compliments the pre-existing building.


International competition. First Prize. Ongoing

1/

Museum of Fine Arts Chur

Chur, Switzerland

2012 - 2016

[+]

The project absorbs and transforms the Palladian order and the Orientalist style, the main compositional features of the Villa Planta, through a central and symmetric composition scheme which gives the extension a clear formal autonomy as well as allowing the proposal to preserve the identity of the villa itself. The new addition to the  Bündner Kunstmuseum is conceived as a simple and compact volume that becomes perfectly integrated into its immediate surroundings. The clarity with which it states its independence with respect to the adjacent buildings also reinforces the importance given to the garden that appears in the newly extended area and confers a sober presence to the building.


International competition. First Prize. Built

1/

Museum of Fine Arts Lausanne

Lausanne, Switzerland

2011 - 2018

[+]

The project is based on two main ideas: the first is the definition of a new urban public space for the city, for we believe that in contemporary cities the relationship between its buildings and its public spaces is of more importance than the buildings themselves; the second idea is to preserve an emotional and symbolic relationship with the history of the site. To do so, we underline its main features and treat them as found objects. The MCBA building defines a boundary line, which we conceive as an inhabited wall that protects the longitudinal space of the public square from the universe of trains. Hence, the MCBA becomes a monolithic building that serves as a neutral backdrop to urban life.


International competition. First Prize. Ongoing

1/

Neanderthal Museum Piloña

Piloña, Spain

2010

[+]

Like a fossil embedded in the valley, this seemingly primitive edifice, made up of a simple, compelling volume that emerges from its setting’s geometries, strives to establish, through its sculpted surfaces, a unique and sensitive relationship with its surrounding environment. The reduced and minimalist nature of the building’s architecture is a direct response to the site; its simplicity and size highlight the beauty of the landscape. On the outside, the formal purity of the volume is altered by the texture of its sole material, turning an otherwise simple element into an object of great expressivity. On the inside, the building reflects the symbolic and material character of its exterior.


International competition. Third Prize

1/

Bank’s Heaquarters

Rovereto, Italy

2010

[+]

The project aims to combine the symbolism that the new seat of the Cassa Rurale needs to embody with its insertion in the urban space following an attentive and respectful approach towards the Palazzo Balista. The proposal is to transform what is currently the back side of the building into the new main façade in order to reorganize the existing urban space. The design is based on an interpretation of the existing Palazzo, so it arises from the original building. Three new architectural features define it: a new contemporary gateway, which is inserted between the existing columns and points the way to a new entry space; a new green roof, as a recollection of the former courtyard’s identity, and a new urban garden, which is understood as an extension of the Palazzo Balista. 


International competition

1/

Art Center

Gijón, Spain

2010

[+]

The new Museum of Gijón presents itself not only as an opportunity to renew and enhance part of the urban, social and cultural history of the city, but also as a catalyst capable of articulating its citizenry’s interests. Hence, it is conceived as a living museum, deeply rooted in the conviction that public space should be its main component. The way it is clearly placed on the site, the gravity of its presence, the density of its materialization and the expressiveness with which it is shaped, all reflect the attributes of the site and of its setting. This not only establishes its clear presence as the container of the city’s artistic past, but also as the starting point for its future.


International competition

1/

Library and Student Center

Brescia. Italy

2009

[+]

The project, located facing the Palazzo della Loggia —a Renaissance building—, is defined by a simple volume that completes the block it becomes part of. By finishing off this block and by mimicking its alter ego —the palace— the building strives to create a timeless bond with it. The project springs from the memory of the Capitol’s former rooms, of the old market’s vaulted spaces and of the ever-present Italian villas, attempting to influence the adjacent urban context through its spaces by defining a new area capable of hosting social activities.


International competition

1/

Private Residence Ordos

Ordos, China

2008

[+]

The project attempts to translate the notion of essentiality and purity that the site offers. In sharp contrast to the rugged open landscape, both abstract and infinite, the house floor plan adheres to a pure form, a monolithic cube, which stands upon the land as if it were an archaic stone shaped by the forces of the wind. This clearly defined volume sensibly adapts to its surroundings through two features: a patio and a roof line. Put together, the entire architectural layout is extremely clear: a clean-cut exterior reveals the complexity of the visual and spatial relationships that take place inside the house.


Private commission

1/

Agrarian Studies Institute

Siena, Italy

2008

[+]

In this privileged geographical context, the project aims to sensibly relate to its surroundings by inserting itself into the site in a simple but nevertheless forceful manner, in order to accommodate a complex program without seeming invasive. The result is a pure-shaped element, a horizontal contour that completes the valley and becomes the counterpart to its alter ego, the Basílica dell’Observanza.


International competition. Second Prize

1/

Philharmonic Hall Szczecin

Szczecin, Poland

2007 - 2014

[+]

The building emerges from its urban context, influenced by the steeply pitched roofs and the verticality of the city’s buildings, by the monumentality of the upright ornaments of its neo-Gothic churches. With an expressionist mindset, we have aimed to use geometry to give shape to a new rhythmic composition that conveys feelings by balancing massiveness and verticality. The use of glass as the exterior cladding material highlights how the building contrasts with the conditions of its surrounding environment. It creates a bright, transparent and upstanding object. The building’s interiors are simple. The symphonic hall differs from these in that it is a sculpted object embedded into a barely outlined mineral-like space.


International competition. First Prize. Built

1/

Music School

Karlsruhe, Germany

2007

[+]

The perimeter of the project runs along two large green areas that are interlinked by the castle. The design strategy of choice is to maintain the castle’s character without competing with its presence. In return, the notion of a garden is underlined and architecture is used as a tool to define a boundary, a perimeter, that constructs a void, turning the building into part of the sensory landscape. Hence, the building harmoniously becomes part of its setting. The surroundings are reflected on the building’s façade, in part because the building itself emerges from it. The visible result is an architecture of simplicity, of pure forms, that seeks to dissolve the limits between its interior and the exterior.


International competition. Third Prize

1/

Hq. Ribera del Duero Roa

Roa, Spain

2006 - 2011

[+]

The site has been sculpted by both the city and the landscape. The project interprets this situation, revealing the essential traces of the place. Therefore the building becomes a transitional element, with an awareness towards the re-composition of the small scales of the context, while dialogues with the horizon and the monumentality of the landscape through a towering element, a timeless monolith suspended over the plateau. Through its materialization, with the use of local blocks of stone and the dissonant design of the openings, the project aims both to evoke the landscape through our senses and to open the area to a different spatial experience, placing the proposal in a radically contemporary realm.


International competition. First Prize. Built

1/

Puez-Odle Visitor Center

Funes, Italy

2005

[+]

The identity of a place is expressed by images, atmospheres and shapes that, once processed by memory, become its essential elements. The search for these features enables architecture to find its anchoring point and to blur the boundaries between the building and place. This quest for the relationship between the building and its context, between artifice and nature, is essential for this project. The building advances towards its landscape, establishing an interrelation in which an abstract geometry of a higher order helps to modulate the three emerging elements, that in the shape of iconic and monolithic stones, comprise the project. These elements face the mountain, conversing with nature’s monumentality. 


International competition. Shortlisted

1/

Auditorium Águilas

Águilas, Spain

2004 - 2011

[+]

The project responds to the features that its location provides. On the one hand, it reacts to the need to create ties with the urban tissue, while, on the other hand, there is the desire to maintain the expressiveness of its natural setting. This produces a dialectic relationship between the artifice of the urban realm and the naturalness of what is organic. Consequently, the building’s mass takes shape depending on the tensions produced by its surrounding spaces. Towards the city, crisp elevations are composed in an orderly and calm manner. Towards the sea, the landscape’s spatial traits and the geography’s configurations lead to the generation of sweeping concave surfaces in order to create a forceful link between the building and its surrounding natural environment. 


International competition. First Prize. Built

1/

Santa Clara Social Housing

Úbeda, Spain

2004

[+]

The project is inserted into its context as a structure that complements the town’s own urban typologies. It strives to adopt the main features of both the Islamic and the Renaissance urban tissues which make up the city’s layout. It takes shape by articulating three different voids which originate as an extension of the patio-based urban structure that defines most historic Spanish cities. This generates a public square that is both permeable and introverted, in which rhythm is provided by the alternation of luminous central spaces and shaded lateral areas.


International competition. First Prize